Paolo Fresu, Richard Galliano, Jan Lundgren, Mare Nostrum III (ACT) This third outing by Mare Nostrum continues the international trio’s close collaboration in a series of albums.
The deaths of multi-instrumentalist Joseph Jarman, best known as the face-painted shaman of the Art Ensemble of Chicago, and Alvin Fielder, Alvin Fielder, drums re-conceptualizing drummer, remind us.
Rock ’n’ roll gets a history lesson in “Rumble” on PBS, and “Justice” on Netflix is a law drama based in the United Arab Emirates.
celebrates its 14th edition from February 27 to March 3, 2019, in the Crystal Gallery of CentroCentro Cibeles (c/ Montalbán,1), with the participation of more than 40 national and international galleries that will show the works of nearly 200 artists, both emerging and consolidated creators.. With an outstanding foreign presence, which this year reaches 40% and reaffirms the confidence placed in the fair by the international context, 26 national and 16 foreign exhibitors from 13 countries, from Spain to Germany, France, Portugal, Lithuania, Argentina, Brazil, Cuba, Mexico, Peru, South Africa or Taiwan, and including the participating of 10 first-time participating galleries, have been selected for this edition. In this edition, as the Selection Committee assures, the proposals are highlighted because of the increasing quality, the more rigorous selection, the
“One of the strongest things that struck us was how many people leading these programmes have an authentic belief in social justice, democracy and building social and cultural capital. We anticipated hearing about the ‘what’ and ‘how’ of audience engagement, but we didn’t expect to hear quite so much about the ‘why’. Interviewees talked passionately about empathy, listening, sharing power, trust, transparency, honesty and patience. Many rejected the deficit model that suggests that communities are lacking in some way that arts and culture can solve, while others were acutely aware of their responsibility in places that have suffered decades of disinvestment and neglect.” – Arts Professional
In honour of the 100th anniversary of the Bauhaus, the Museum Angewandte Kunst
is taking an in-depth look at the history of Frankfurt in the years 1919 to 1933. During that period, the city implemented an unparalleled programme of renewal in the areas of building construction, design and culture that went down in cultural history as Neues Frankfurt (New Frankfurt). After World War I, Frankfurt developed into an archetype of the modern metropolis that attracted interest far beyond city limits. Many regard the Bauhaus as the cradle of modernity in the twentieth century. Yet that famous art and design school was not the sole hotspot of innovative design in Germany and Europe. By the end of the 1920s, Frankfurt am Main had established itself as a world-famous centre of the avant-garde on a par with the Bauhaus. The aim of the exhibition Modernism
The mystery stays compelling, but it’s disappointing to see Hays slurping Jack Daniels and carping at his wife.
Calvin Trillin has turned his heartbroken memoir into a stage play that reincarnates his beloved wife and muse.
Brianna gets a chance to confront her demons. Is she sure that’s a good idea?