"I'm sure! I tell you, he came. I saw him!" insists Soro Navaghi, keen to extinguish any doubts about Picasso's visit to a small Ivorian village famed for its painted textiles. Whether in tourist brochures or online, it is not unusual to find references to Picasso's reputed visit to Fakaha, a remote village in northern Ivory Coast, some 650 kilometres (400 miles) from Abidjan, the economic capital. French travel guide Petit Fute describes Fakaha as "internationally renowned" for its hand-spun cotton cloth which is painted by the Senufo people and that once "charmed a certain Picasso as he paid a discreet visit to the region at the turn of the century." A whole mythology has grown up around the question of Africa and Picasso, who never spoke of having been to Fakaha. For the artist who once provocatively brushed off the subject
Most of the key characters in “Billions” — Bobby Axelrod, Chuck, Taylor Mason — seem to require intense adversity to be at their best.
The HBO series made good on its promise to deliver big revelations about the 20-year-old murder case that “Serial” made famous.
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“What the Constitution Means to Me,” the best new play of the Broadway season so far, rivetingly combines personal history and civic engagement.
In Mara Nelson-Greenberg’s fitfully funny play, a female empathy coach faces the insuperable challenge of teaching men some compassion.
The Fabric Workshop and Museum announced the appointment of Karen Patterson as its new Curator. She will be the first to hold the title in FWM’s 42-year history and joins the museum after seven years at the John Michael Kohler Arts Center (JMKAC), where she currently serves as Senior Curator. “Karen Patterson is an ideal fit for this position, coming from another process-oriented institution focused on both the creation and exhibition of contemporary works,” says Executive Director Susan Lubowsky Talbott. “She has championed the work of a diverse group of artists and we are thrilled to welcome her to further the creative and cultural impact of FWM.” During her tenure at JMKAC, Ms. Patterson curated over forty exhibitions and site-specific installations, bridging a multifaceted program featuring unique collections, an ambitious contemporary art program, and a celebrated residency program. Recen
Ernest Hemingway's legacy helps to bring Americans and Cubans together, an American congressman said as he opened an archive at the legendary writer's onetime home in Havana, despite tensions between the two nations. "Hemingway is once again serving to unite Americans and Cubans," Massachusetts Congressman Jim McGovern said at the ceremony on Saturday at the facility, already a museum chronicling the some 20 years the author spent in Cuba. The inauguration came against the backdrop of a sharp pivot by the administration of US President Donald Trump following his predecessor Barack Obama's policy of normalization with Havana. "There is no good and rational reason" why the United States and Cuba cannot have normal relations, said McGovern, a Democrat, as flags of the two countries stood behind him. McGovern, who has made numerous trips to the island, in 2002 established the Finca Vigia Foundation with Jenny and Frank Phillips. Jenny Phillips, who died last year, was the granddaughter of
Annet Gelink Gallery is presenting the fifth solo exhibition by Meiro Koizumi (1976, Gunma, Japan) with the gallery. Last year, Meiro Koizumi collaborated with Theater Commons Tokyo to create a performance together with twenty young adults. This resulted in a video installation entitled We Mourn The Dead Of The Future. In the performance Koizumi addressed themes of heroism and self-sacrifice that seem to reoccur throughout his career. Set in the freezing rain at the site of a former US army base, he asked the youngsters to conduct a ritual in mourning ‘the dead of the future’. Are people willing to sacrifice their lives for a nation, a state or for other ideals? By forcing the youths to face this proposition and the surrounding onlookers, emanating sanctity and pain, Koizumi confronts his viewers with the same ultimate question; Would you be able to sacrifice your life for someone or something? At first, this question