The Radio Arts Foundation (RAF) in St. Louis is looking for a CEO/General Manager who is an experienced and highly creative individual with a demonstrated history of thinking out of the box, who can work with the board to rethink, reimagine and redefine what it means to be a classical music and arts community-focused radio station and digital media enterprise in the 21st century.
The CEO/GM shall be the public face of Classic 107.3 and is expected to
become a valued thought leader, collaborator and partner in the St.
Louis arts community and fulfill the Board’s vision to make Classic
107.3 “The Voice for the Arts in St. Louis”.
The CEO/GM is responsible for the overall administration of the
organization, including its programming, digital media enterprise,
productions and strategic plan. Other key duties include fund
development, sales and marketing, finance and community outreach. The
position reports directly to the RAF Board of Directors.
For a copy of the complete job description please write to: firstname.lastname@example.org
Chinese artist and entrepreneur, Mao Jianhua, is presenting a new series of 48 works on specially commissioned handmade paper at Saatchi Gallery
, London from 27 June - 7 July. Interested from a young age by the ancient art of calligraphy - and more recently by the Chinese landscape painting tradition, ‘Shan Shui’, from the Song, Yuan and Qing dynasties - Mao Jianhua’s greatest inspiration is the Yellow Mountains, an area of outstanding natural beauty in Eastern China, and a place of artistic pilgrimage for thousands of years. The title of the exhibition is derived from a phrase of verse from Chinese philosopher, Lao Tzu, which draws parallels between the mystery of the creative process and that of nature. Lao Tzu (alongside Chuang Tzu and Lieh Tzu) is one of the founders of Taoism, the belief that the universe follows an inherent harmony, regardless of human presence. Mao Jianhua acknowledges Taoism as a
The National Heritage Centre for Horseracing and Sporting Art
is displaying a set of unique drawings by Britain’s most renowned animal painter, George Stubbs (1724-1806). The ten works, on loan from the Yale Center for British Art, have not been seen in the UK for many years. The drawings form the core of an exhibition that illuminates aspects of Stubbs’s life and interest which have previously been underexplored and highlight the exceptional nature of his painting and drawing techniques. Stubbs was one of the most original and pioneering artists of the 18th century. His prowess as a painter of horses is well known, but his later study of the anatomy of a wide variety of animals to compare with the human figure is less widely documented. His great reputation as an extraordinary painter of horses was forged in a remote Lincolnshire farmhouse. In his early thirties, Stubbs relocated from York to Horkstow, near
Interested in the work of a socially engaged contemporary artist committed to art’s capacity to raise awareness and instigate change? Then experience ‘Quilty’ at Brisbane’s Gallery of Modern Art
. Curated by Dr Lisa Slade, Assistant Director, Artistic Programs, Art Gallery of South Australia, ‘Quilty’ is the first major survey in a decade of one of Australia’s most acclaimed contemporary artists, Ben Quilty. Featuring 70 works from the early 2000s to the present, the exhibition includes the artist’s revisions of the Australian landscape, raw intimate self-portraits, and works inspired by harrowing recent visits to Lebanon, Syria and Greece where he witnessed first-hand the exodus of refugees. In 2011 Quilty visited Afghanistan as an official war artist and on his return to Australia he sought the company of service men and women who had experienced the crucible of conflict and human suff
Artist Miguel Luciano, in partnership with El Museo del Barrio
, is presenting Mapping Resistance: The Young Lords in El Barrio, a public art project in East Harlem featuring the work of Hiram Maristany, the official photographer of the Young Lords Party, a founding member of its New York chapter, and a former interim director of El Museo. The Young Lords were a Puerto Rican activist organization that mobilized around social justice in their communities in the late 1960s-1970s, with an emphasis on issues of health, food, housing and education. Now on view through September 30, 2019, Maristany's historical photographs of community actions by the Young Lords have been enlarged into billboard-size photo-murals throughout El Barrio (East Harlem), and installed at the same locations where the photos were taken. The individual murals are unified by text panels that give context to each image and maps that guide visitors throughout the proje
The Lumiere Brothers Center for Photography
returns to its study of Soviet-era photography with an anniversary exhibition of photographs by Alexander Ustinov to mark his 110th birthday. A legend of the most important newspaper of his era—Pravda—where he worked for more than 50 years, Ustinov became the face of photojournalism of that period. The material gathered allowed the exhibition’s curators to focus on significant events in the history of the USSR and to not only display the works published during Ustinov’s lifetime, but also use his archive, which has been carefully preserved by his daughter. The exhibition is centered around photographs that were not approved at the time for various different reasons. This novel curatorial approach will help the viewer to find a perspective that, taking into account their experience of and engagement with the material, will be personal to each individual. "It was a consciou
In its first exhibition devoted to video art, the Barnes Foundation
is presenting a survey of works by pioneering American video artist Bill Viola (b. 1951). Organized for the Barnes by distinguished guest curator John G. Hanhardt, I Do Not Know What It Is I Am Like: The Art of Bill Viola is the first large-scale exhibition of Viola’s work to be presented in Philadelphia. This exhibition brings together a selection of the artist’s major pieces dating from 1976 to 2009, including the rarely seen large-scale installations He Weeps for You (1976), Pneuma (1994/2009), and Ascension (2000), as well as smaller screen-based works. On view in the Barnes’s Roberts Gallery from June 30 through September 15, 2019, the exhibition shows how Viola has redefined the moving image with a compelling and distinctive oeuvre that challenges the senses. During the 1970s, Bill Viola was a vanguard leader experimenting with the new
American artist and author Dorothea Tanning (1910–2012) created more than 100 graphic works between 1950 and 2001. Thanks to a recent generous gift to the Menil Collection
from Barbara and Jim Metcalf, the Menil now owns the complete set, many of which are being displayed for the first time in The Graphic Work of Dorothea Tanning. These prints and illustrated books feature images that range from representation to near total abstraction, demonstrating the breadth of Tanning’s formal innovation. Experimenting with lithography, etching, and aquatint, Tanning produced a variety of surface textures, some crystalline, others cloud-like. She often introduces reoccurring motifs into her dreamlike spaces. Her ambiguously erotic embracing figures are the most recognizable. Tanning’s highly personal work addresses universal human emotions and experiences of ecstasy, elation, anxiety, and obsession. Complementing these works on pape
In his diverse practice, Sanford Biggers encourages meaningful dialogue around narratives in American history. On view at the Chazen Museum of Art
June 28-Sept. 22, 2019, Sanford Biggers displays eight works from the artists’ BAM sculpture series, along with several “paintings” that the artists has created by altering antique quilts. The exhibition also includes a video installation to accompany the BAM sculptures. “Sanford Biggers is in a category of his own as an artist, and that’s one of the reasons we are so thrilled to have his work here on the UW campus,” said Amy Gilman, Ph.D., director of the Chazen. “By illuminating – and questioning – the historical memory of certain traumatic moments in our country’s past, he is seeking a greater understanding of the forces that make such moments possible. His work encourages viewers to make up their own minds about what they see, which