The architects behind New York’s High Line have created a new urban space that reflects the diversity of Russia’s regional landscapes.
Author Archives: ROSLYN SULCAS
The directors of “McQueen,” “Westwood” and “The Gospel According to André” say their subjects are the stuff of great drama.
Laurence Equilbey is bringing her ensembles to Lincoln Center’s Mostly Mozart Festival for a production of Haydn’s oratorio staged by Carlus Padrissa.
Tanztheater Wuppertal will part ways with Adolphe Binder, who commissioned the first full-length pieces created for the troupe since Bausch’s death.
The experimental director and avant-garde choreographer’s production — the first in the U.S. not to be based on Jerome Robbins’s choreography — will come to Broadway.
“Harry Potter and the Cursed Child” doesn’t use elaborate special effects. Its magic comes from movement, and Steven Hoggett is its wizard choreographer.
The Department of Cultural Affairs recently made a case for the vibrancy of dance in a city known more for that other performing art.
The season includes new works by Michelle Dorrance and Jessica Lang, an all-female-choreographer gala and a tribute to Jerome Robbins at 100.
In “A Very English Scandal,” Mr. Grant’s first major TV role since the 1990s, he plays a British politician who conspired to murder his former lover.