Mr. Peck’s dances for the musical’s revival on Broadway are exuberantly executed, but, our critic says, they don’t stay with him.
Category Archives: Peck, Justin
Peter Martins had mapped out most of City Ballet’s next season before he retired under pressure. But there was still work for its new leaders.
Jack O’Brien and Justin Peck’s heartfelt, half-terrific revival of an American classic stars a wonderfully ambivalent Joshua Henry and Jessie Mueller.
To pass as a dancer in “Red Sparrow,” Ms. Lawrence turned to a choreographer, a partner, a dance double and a “ballet-boot-camp guy.”
Peter Martins inherited George Balanchine’s roles: running the School of American Ballet and City Ballet and choreographing. Should this model persist?
Four New York City Ballet veterans will take over the responsibilities of Peter Martins during an investigation into accusations of sexual harassment.
The dance critics of The New York Times pick the best events of the year.
Mr. Peck’s latest creation, scored by Sufjan Stevens, seems to be coolly composing a new grammar, and with some largeness of spirit.
Ms. Isaacs has stepped into Robert Fairchild’s role in Justin Peck’s “The Times Are Racing” — a rare instance of gender-blind casting at City Ballet.
The company’s Here/Now Festival begins with programs focusing on the work of Christopher Wheeldon, Alexei Ratmansky and Justin Peck.