The company’s winter season ended with a bit of enchantment from Alexei Ratmansky — and some great dancing, including by Adrian Danchig-Waring.
Category Archives: New York City Ballet
Lauren Lovette dances the role of the “goofy” muse in an excerpt from Alexei Ratmansky’s “Namouna, a Grand Divertissement.”
While City Ballet waits for a successor, its history has gone on developing in performance. Roman Mejia, 18, made his presence felt.
Former New York City Ballet dancers accused Mr. Martins of verbal and physical abuse, and an anonymous letter contained sexual harassment allegations against him.
Indiana Woodward, a soloist at City Ballet, is making her debut as Juliet — a dream role.
Prokofiev’s score works its potent cinematic charm, but Peter Martins’s 2007 ballet still seems like a series of unfinished sketches.
Patricia McBride, a New York City Ballet luminary, recently returned to the company to coach a Balanchine ballet she created in the 1970s.
Peter Martins is not being erased from City Ballet, which he retired from amid accusations of harassment and abuse. But his “Romeo + Juliet” is being tweaked.
The young choreographer Peter Walker presents his second dance creation at New York City Ballet.
Mr. d’Amboise tells a good story. Here he talks about work, life and his fellow Balanchine guys Edward Villella and Arthur Mitchell.