Isabella Boylston’s natural domain seems allegro, Devon Teuscher’s, adagio. These unalike Ballet Theater dancers have grown immeasurably this season.
As the company concludes its eight-week Metropolitan Opera House season, it’s time to survey how the company has revised its image.
The ex-American Ballet Theater dancer, who left after an accusation of sexual misconduct, will be a guest artist with Sarasota in the 2018-19 season.
The season includes new works by Michelle Dorrance and Jessica Lang, an all-female-choreographer gala and a tribute to Jerome Robbins at 100.
Sarah Lane and Hee Seo are making late-career debuts as Kitri at American Ballet Theater. They talk to us about the role, the company, the pressures.
Kenneth MacMillan’s “Romeo and Juliet,” a beloved war horse at American Ballet Theater, has suddenly lost luster despite impressive new faces onstage.
Odette is one of the great Romantic symbols of the longing for redemption, says our chief critic as “Swan Lake” returns to American Ballet Theater.
Aran Bell, 19, who made an impression as a little boy in “First Position,” talks about dancing a lead role at American Ballet Theater.
Just after turning 40, the American Ballet Theater principal will dance the lead in “Romeo and Juliet,” the role she wouldn’t allow herself to dream about.