The director stepped away from “Eve,” a movie being co-produced by a company founded by Ms. Chastain, a vocal supporter of the Time’s Up movement.
Ms. Moretz talks about “The Miseducation of Cameron Post,” her new film about gay conversion therapy, and why her Louis C.K. movie should never be released.
The decade we almost stopped climate change. Spike Lee takes on the Klan. Dick Cavett stops to smell the roses. Apple’s $1 trillion milestone. The curious rise of the face tattoo.
Even amid #MeToo and #OscarsSoWhite — and celebrated films like “Wonder Woman,” “Black Panther” and “Call Me by Your Name” — Hollywood is as white, straight and male as ever, a new report reveals.
À l’inverse du mouvement #MeToo aux États-Unis, les soupçons à l’égard du cinéaste n’ont pas entraîné de réactions particulièrement vives dans le cinéma français.
Allegations against Luc Besson have not set off a chain reaction in the French film industry, showing how #MeToo has played out differently.
The orchestra will investigate accusations that its concertmaster, William Preucil, sexually assaulted a violin student in his hotel room in 1998.
But as far as change after #MeToo, it doesn’t really go far enough.
Creating the furious stand-up special “Nanette” was an act of self-preservation for the Australian star. The result has been a sensation “beyond my comprehension.”