Triumphs and Laments, an 1,800-foot frieze along the Tiber River, will be created using the “reverse graffiti” technique.
“No one in the cultural community wanted to see a noisy fight erupt over the money. The theaters and history museums, dance companies, classical quartets and galleries all feared an ugly battle would leave a bad taste in the mouths of voters who they are counting on to reauthorize their funding for a third, 10-year period in 2016.”
“The first African-American woman to be named a principal in the 75-year history of American Ballet Theater provided a jolt to On the Town during her first week in the musical. The show, which is closing on Sunday, immediately went from a laggard to a leader: It grossed $914,434 in the week that ended Sunday, up from $395,379 the week before.”
“The public’s enthusiasm was apparent – maybe a little too apparent – on Monday when the Broad Museum began booking online reservations for its Sept. 20 opening and beyond. By midafternoon, the Web page for reservations to the new contemporary art museum in downtown Los Angeles carried an announcement in red type: ‘Due to overwhelming demand, our ticketing system is currently down.'”
“The lesson is that painting the pavement blue and closing it to cars is a start, but reclaiming space alone is not sufficient to create the sort of vibrant public plaza we’d all like. That requires real stewardship. Civic culture needs cultivating and curating. Unless we do so, public space can become a public nuisance.”
“Approaching the 10-year mark in its handsome waterfront building, will the ICA (which was founded in 1936 as the Boston Museum of Modern Art) step up to the next level? Will it galvanize both artists and the public, embarrassing older, slower museums with its fleetness of foot, its largeness of vision, its willingness to provoke, surprise, and seduce? Or will it continue to strike large slabs of its potential audience as fiddly and pinched, a place of pretension, predictability, and underwhelming exhibits?”