AUDIENCE

Rembrandt’s ‘Night Watch’ To Get Major Restoration — And You Can Watch The Conservators At Work

“[The director of the Rijksmuseum in Amsterdam] said it was expected to be a slow and intricate project, which would take several years and cost millions of euros. … The public will be invited to watch the intimate conservation process, both up close in the gallery itself and via an internet livestream, in what is believed to be the biggest ever undertaking of its kind.”

In The Instagram Age, What’s Next For Photography?

Maybe photographers have been too worried about photography losing relevance. Indeed, it’s highly relevant. “One could argue from this evidence that it is the medium of our time, not just defining our globally connected digital image culture, but propelling it. Even a decade ago, no one could have predicted the seismic shift that has occurred in our relationship with – and use of – the photographic image.”

The Senior-Citizen Audience: A Snapshot

In this research analysis by The Audience Agency, “we look at who older arts and cultural audiences are, what their characteristics as visitors are, how they may engage differently with different art forms and what motivates them. We know that these stats are only part of the story, however, and have included thoughts on good engagement practice and links to inspirational examples and complementary research.”

Report: Education, Engagement And Community – What American Theatres Are Doing

Some theatres have moved away from education and solely into community engagement. How are “education” and “community engagement” defined by each theatre? What are the similarities and differences between these two areas of focus? Is there collaboration across departments in this work? There has been growing attention to these issues in recent years, and we were interested in collecting some stories and exploring different models and approaches to this work.

How To Establish Value In Art? Connoisseurship Or The Market?

In the past few decades, academia has largely abandoned traditional connoisseurship because it was too often tied to “great man” narratives. Over the same period professional art criticism has been eclipsed by a journalistic preoccupation with glamour, scandal and money. While the art world was never entirely free from market forces, these are now essentially the sole determinant of value. People need narratives to make sense of culture and collectors require a mechanism to assess quality. By default, today’s dominant narratives are being written by dealers and auctioneers.

Snapchat, Following Facebook And YouTube, Moves Into Producing Original Video Content

“With NBCUniversal’s help, the struggling social media giant preps more than a dozen original series for its 188 million users as it muscles into a crowded market. … But its slate won’t be ripped from the Netflix playbook. All Snapchat scripted series will average about five minutes an episode and be released daily in the signature vertical video format.”

New York City Will Pay To Make Small Theaters More Accessible To Visually- And Hearing-Impaired

“[The city government] will give grants to Off Broadway and other small theaters to install software that allows patrons to follow along with low-light smartphones and tablets. … The software, using voice recognition, can provide closed captioning of the spoken word, or audio description of stage action, on users’ mobile devices.”