The Ashley Bouder Project’s goal is to promote the work of women and other underrepresented voices in the slow-to-change world of ballet.
One lesson of New York City Ballet’s Jerome Robbins celebration concerned his musicality, which often points to parts of the score left undanced.
Ashley Bouder of New York City Ballet performs part of a make-fun-of-yourself solo from Robbins’s “Dances at a Gathering.”
The company’s winter season ended with a bit of enchantment from Alexei Ratmansky — and some great dancing, including by Adrian Danchig-Waring.
While City Ballet waits for a successor, its history has gone on developing in performance. Roman Mejia, 18, made his presence felt.
Ashley Bouder’s dancing at New York City Ballet is bold and full of technical wizardry; some of her artwork reflects that.
Women composed a triple bill, “At This Dance, Women Take the Lead,” with Ms. Bouder’s troupe; and Wendy Whelan moved further from ballet at the Joyce.
Our critic reflects on the latest season of this company, which may be “heading for a period when it has more talent than it can comfortably present.”
The New York City Ballet dancer Ashley Bouder has returned five months after giving birth to a daughter.