Shamel Pitts and Bobbi Jene Smith, veterans of Ohad Naharin’s company, showed their distinctive dance voices in New York performances.
Over 10 years, American Ballet Theater has become fluent in the style of Mr. Ratmansky, whose new work will be unveiled at the spring gala.
The fall season at N.Y.U. Skirball Center will also include 10 interdisciplinary performance works by artists like John Kelly and Mette Ingvartsen.
“It’s really slow and there’s a lot of stillness because stillness is basically my one true love,” Ms. Walsh says of this excerpt from “Fame Notions.”
Viengsay Valdés, a star ballerina and hometown hero, assumes the mantle worn, seemingly forever, by the 98-year-old Alicia Alonso.
David Parsons’s dances, at their best and worst, remain simple. Not so, the strange, enigmatic “Runes” of Paul Taylor, Mr. Parson’s creative parent.
The choreographer and performance artist Ann Liv Young is using her Bushwick apartment — and her daughters and animals — in her version of “Antigone.”
A one-act marathon provides relief from endless plays, and Alejandro Escovedo performs at the Rubin Museum.
A triple bill of dances by resident choreographers shows skill but wobbles in parts, most egregiously on gender equality.