Broadway, Wagner’s “Ring,” the opening of the Shed: what our critics and writers are looking forward to this season.
Mr. Martins, who faced allegations of abuse, retains the right to make casting changes and to show up backstage, which has upset some company members.
Sara Mearns of New York City Ballet dances a portion of her role as the Siren in George Balanchine’s “Prodigal Son.”
Dancers will perform excerpts from four seminal ballets that will “tell a story about Kirstein and Balanchine.”
We check in with Indiana Woodward and Anthony Huxley on a day of rehearsals and costume fittings for their debuts as Aurora and Désiré.
We check in with Indiana Woodward and Anthony Huxley of New York City Ballet on a day of rehearsals and costume fittings for their debuts as Aurora and Désiré.
“When Angels Fall,” at Peak Performances, and “Non Solus,” at the Brooklyn Academy of Music, blend circus with dance in feats of perfect equilibrium.
Performers disrupt conventional alignments in Kathy Westwater’s new work. The result is diffuse, but Julius Eastman’s music provides real drama.
Alfonso Ribeiro, who played Carlton on “The Fresh Prince of Bel-Air,” has sued video game makers saying they are stealing a dance he created.