The premiere of Gyorgy Kurtag's Beckett-inspired opera in Milan and the White Light Festival at Lincoln Center were among the highlights.
“Only the Sound Remains,” Kaija Saariaho and Peter Sellars’s reinterpretation of Ezra Pound’s translation of two Noh plays, arrives in New York.
For its American debut, the company unveiled a dramatically peculiar and roughly danced version of the classic.
Ann Ziff’s eclectic art collection is the product of decades she and her husband spent searching for things they loved to live with.
Can a drama about the nature of consciousness be emotional, too? For its latest production, he’s tinkered with the script to firmly answer yes.
Our classical music editor offers more than 100 highlights from the coming season.
A Mark Morris world premiere, part of the Mostly Mozart Festival, is awkward and has much less to say than the Schubert work it’s paired with.
The center has overhauled its summer offerings. But its signature festival is now suffering from an identity crisis.
A chain of duets by Janis Claxton Dance, part of Lincoln Center Out of Doors, has an engaging naturalness but a sameness problem.