Ann Ziff’s eclectic art collection is the product of decades she and her husband spent searching for things they loved to live with.
Can a drama about the nature of consciousness be emotional, too? For its latest production, he’s tinkered with the script to firmly answer yes.
Our classical music editor offers more than 100 highlights from the coming season.
A Mark Morris world premiere, part of the Mostly Mozart Festival, is awkward and has much less to say than the Schubert work it’s paired with.
The center has overhauled its summer offerings. But its signature festival is now suffering from an identity crisis.
A chain of duets by Janis Claxton Dance, part of Lincoln Center Out of Doors, has an engaging naturalness but a sameness problem.
Carlus Padrissa’s staging, conducted by Laurence Equilbey, is part of the new mix of offerings at the Mostly Mozart Festival.
The Mostly Mozart Festival presented Bernstein’s amalgam of Catholic liturgy and countercultural energy from 1971. But what does it mean in 2018?
Laurence Equilbey is bringing her ensembles to Lincoln Center’s Mostly Mozart Festival for a production of Haydn’s oratorio staged by Carlus Padrissa.