Lydia Steier’s “The Magic Flute” riffs on “The Princess Bride” and Hans Neuenfels’s “Pique Dame” explores the privileges money can bring.
Our critic helps intimidated newcomers learn what to listen to, where to hear it and how to find more of what you like.
A Mozart staging set in 1950s Coney Island had its premiere days after Mr. Levine was fired when an investigation found evidence of sexual misconduct.
Performances of “Le Nozze di Figaro” and “Norma” provided a glimpse at the post-Levine company, and offered reflections of social and political upheaval.
Gil Shaham, a vintage Kennedy Center Honors and a quartet based on "Amazing Grace" are among the highlights.
The Mostly Mozart Festival Orchestra partnered with So Percussion, the brilliant percussion quartet, for an exhilarating David Lang concerto that used found objects.
Mr. Peskanov, the artistic director of the floating concert hall on the East River, will perform two sets on violin.
Lincoln Center’s Mostly Mozart Festival will include a staged version of Hans Zender’s orchestration of Schubert’s “Winterreise.”
Programming ambition and poise, with flashes of visionary episodes, in thoughtfully constructed concerts at Carnegie Hall.