Catching up with Banu Cennetoglu in her first U.S. show, at SculptureCenter. She calls it ‘a collective history.’
Still reckoning with the fallout from her Emmett Till painting, the chastened artist reveals how the controversy has changed her — even as she moves forward with a new gallery show.
Going around the traditional gatekeepers, Gillie and Marc Schattner of Australia have become the city’s most prolific creators of public art.
At the Frick, an exhibition devoted to Luigi Valadier, the Roman silversmith to popes, sovereigns and aristocrats.
The votive objects at Bard Graduate Center constitute an art form all their own — tokens that say “please” and “thank you.”
Jan Svankmajer is known for his Surrealist films, but he also draws, writes and produces sculptures, collages and prints, as an exhibition in Amsterdam shows.
Kevin Beasley confronts King Cotton’s legacy in his solo museum show.
Museum executives said they could not explain why a man pushed over an exhibition case and hurled works by Chinese and Mayan artists to the floor.
The art critics of The New York Times tell you what rocked their worlds this year: notable art events, works in museums and galleries, emerging artists and how they found beauty in unexpected places.